Hi ST,
I've sold my L1 M2 and will be buying a T4s going to 2 S1 Pros. I'm assuming set up will be pretty much the same as the article except that I'll just run a second TRS cable from the Left output of the T4s to my second S1 Pro and will balance the output from each channel as needed between R/L. Correct?
Thanks,
Dan
Hi Dan,
Thanks for asking.
KingBiscuit posted:Hi ST,
I've sold my L1 M2 and will be buying a T4s going to 2 S1 Pros. I'm assuming set up will be pretty much the same as the article except that I'll just run a second TRS cable from the Left output of the T4s to my second S1 Pro and will balance the output from each channel as needed between R/L. Correct?
Thanks,
Dan
Yes, correct. I have added this picture to the article.
ST
Thanks for confirming ST.
I'll be trying this set up in a few weeks when I get back from some travel. I'll post a report of how it sounds in a "normal" gig setting.
I'm betting it sounds great!
Question: I am using the S1 Pro in monitor position as my only sound source for solo acoustic gigs. I am having a hard time getting my vocal to the front of the mix without causing feedback through the mic. I have my T4S connected to channel 1 on S1 as the picture shows (S1 volume at 11 o’clock, T4s gain at around 12 o’clock and T4S channel volume at 12 o’clock. With this I can adjust the main volume on the T4s to approx 10 o’clock. After that I get feedback. Is there a simple EQ or comp setting that I can try to bring the vocal out front without relying on volume? I have found the increasing Zeq hi to 3db helps, results in feedback though. Any help would be greatly appreciated. I am going crazy trying to “dial” in the settings.
Do a search on feedback. I think ST posted a link to an article on fighting feedback a couple of days ago.
Thanks! That's a lot of info for me to go through. I appreciate it.
Hi Yodameater
Worth checking out what polar pattern you have on your mic especially if you are running two speakers to the sides of you.
With a single L1 behind you, you can use your body/head to great effect in cutting out direct radiation.
With two speakers to your sides clearly you can't so you have to rely on tech. A tight polar pattern concentrating on the small area facing you from the mic is preferable. If you have a wide collection pattern you will pick up your own sound from the speakers and amplify that - hence feedback.
Cheers
Dave